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NORWAY

Oslo / July 2026

The best of street art and graffiti takes over Oslo.

Over 40 international and Norwegian artists will transform the city into a vibrant open-air gallery, bringing together diverse styles, cultures, and generations. The lineup features monumental murals, raw energy, creative exchange, and the unique spirit that has defined MOS for more than twenty years.

The event takes place outdoors under the midnight sun and is free and open to everyone. A full weekend of painting, socializing, and festivities awaits you.

LINE UP :

ALEPSIS HERNANDEZ - AMANDA ALM - APPLEZMAN - BARDO - BONGSTER - CREEPYMOUSE - DIRTY DES - DWAIZ - ELINA HOLLEY - FAVA - FEYK JOHNY - GIAN.BA1 - HASAN GRAFFITI - HYPER - IDA SCHMIDT PETERSEN - IDE CSM - JINKS KUNST - KARTIKEY SHARMA - LIKE - LORDFRISA - MAJID - MOKEK - NADA ALMERGAWI - PAVEL JONES - POEME - PUCK486 - PUNTA - RODRIGO HUEBRA MARTINS - RULE - SAINT - SINNSYKSHIT - STATE OF FLUX - TEAM - TRANCE - UNIR1 - WISKA

I arrived in Oslo yesterday and was immediately captivated by the capital's unique atmosphere, where modern design and avant-garde architecture blend seamlessly with the omnipresent natural landscape of fjords and forests.

After a good night's sleep, I set out at 6 a.m. this morning in search of a wall. My steps led me to Ingens gate, a must-visit lane in the alternative Grünerløkka district an area renowned for its underground culture and colorful facades along the banks of the Akerselva River.

There, I stumbled upon a mural that had just been defaced by a tag. Without a second thought, I got out my gear to breathe new life into the spot by creating my own piece.

It was here, on the banks of the Akerselva where the murmur of the water meets the clamor of urban art that I created this mural. My "B-boy Munch" does more than simply express existential angst; he embodies the vibrant memory of Oslo.

His raw, exposed figure, clad in a brilliant purple sweatshirt, embodies an unexpected fusion: that of Munch’s genius and the vitality of hip-hop culture. The Scream is no longer merely a work of art frozen in a museum; it is a living performance, a rhythm resonating against the skin of the concrete.

After my tribute to Munch, I took my spray cans to the Lilleborgbanen a great spot for basketball and ping-pong in Oslo. For the occasion, I brought along a guest who was completely unexpected in these northern latitudes: a tarsier!

This little primate left his tropical jungle to play tourist in the capital. Decked out in a blue hoodie and retro sneakers, he’s hanging out on the court, taking in the scenery with his huge eyes. Don’t let his size fool you: with his hands in his pockets and a sharp gaze, he’s standing his ground, waiting for the first local ready to challenge him to a one-on-one game. Any takers for a crossover?

I couldn't leave the Norwegian capital without leaving behind a small trace of "urban hacking." A "No Entry" sign right across from my hotel caught my eye: positioned at eye level and ideally located on the sidewalk, the mounting was perfect.

I decided to repurpose the standard white bar, transforming it into a skateboard. The process was a meticulous, handcrafted affair: each element—trucks and wheels—was cut out by hand on-site using layers of weather-resistant colored adhesive tape. It was a playful, poetic way to hijack traffic signage, reminding us that where the city imposes a barrier, urban culture sees a playground.